Hot. Connected. Tasty. Conversation with Ūmėdė Festival curators | Echo Gone Wrong

Leading a pioneering media art institution in times defined by technology. Interview with Michel van Dartel | V2_Lab for the Unstable Media

Floris Vanhoof’s “Antenna”: Snaps, Crackles, Hums, Noises, Bleeps, and Pulses | FIBER Festival

ANNIKA KAHRS, on the world of inaudible sounds, gravitational waves & the interplay science/music | CLOT MAG

Framing the Liminal: Unidentified Fluid Other at Nxt Museum | CLOT MAG

FIBER Festival 2024: The Day After, on exploring bodies & beyond | CLOT MAG

FIBER x The Rest Is Noise 2025: the healing power of sound & storytelling | CLOT Mag

Surveillance | EEP Berlin

FIBER x The Rest Is Noise, club culture, electronic music & visual art | CLOT MAG

Toxic geographies & nonhuman temporalities at Sonic Acts 2022 | CLOT MAG

Festival: FIBER 2024 – Highlights: Bodies, boundaries & technologies | CLOT MAG

ALEXANDER WHITLEY, posthuman condition of the dance performance | CLOT MAG

EET by Cai Guo-Qiang & Kanon: divination in the digital age | CLOT MAG

FIBER Festival 2023: Navigating fragmented narratives | CLOT MAG

EEP Magazine | Contemporary Photography from Eastern Europe Vol. 1

Consecutive Fixation exhibition catalogue text

Amateur Botanist | EEP Berlin

YOU BELONG TO ME | EEP Berlin

City Studies | EEP Berlin

Waterproof Heart | EEP Berlin

Gimtoji | EEP Berlin

Beyond the Human | V2_Lab for Unstable Media